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"I watched the first few seasons of The Biggest Loser avidly. The show offered the ultimate fat girl fantasy—go to a “ranch” for a few months, and under the pressure of intense personal trainers, low caloric intake, the manipulations of reality show producers and the constant surveillance of television cameras, lose the weight you’ve never been able to lose on your own."
cunny4:

Portrait of the artist Bunny Rogers by Brad Phillips, 2014
69
bethsiveyer:

One of my images along with a nice mention of Girls Get Busy in arvidabystrom's London feature in the latest Indie Magazine
14

Are u pr6ud

cunny4:

Men who can see right through me
Tell that I’m just scared fuck you
Give me one example of a man using
his sensitivity for Good

hazelcills:

"Always Thirsty" by Júlía Hermannsdóttir, from Illuminati Girl Gang Vol. 3
72
seemstween:

Illuminati Girl Gang 4 is here!!! 
Illuminati Girl Gang is a zine that is dedicated to showcasing female perspectives in art and literature. 
Includes original poetry, art, and short stories by Ana Cecilia Alvarez, Genevieve Belleveau, Arvida Byström, Ana Carrete, Sarah Cook, Thea Alix De Gubernatis, Kate Durbin, Alicia Eler, Elizabeth Ellen, Mira Gonzalez, Rachel Hyman, Chelsea Hodson, Rosemary Kirton, Caroline Alice Lopez, Laura Marie Marciano, JoAnna Novak, LK Shaw
Edited by Gabby Bess
Cover Image by Amy Worrall 
Pre-order a copy here. *Cover image is subject to change. 
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believermag:

Drawings by Ria Brodell
FOOD FACES: MELISSA BRODER
In this series, Shane Jones looks at the diet of some of our favorite writers. In this installment he talks to Melissa Broder, whose most recent book is Scarecrone.
I. THE DESIRE TO FILL INSATIABLE HOLES
THE BELIEVER: I’ve been staring at what you eat for a while now and it seems extremely conscious of calories. Are you “counting” what you put in your body? I imagine numbers entering your system. 
MELISSA BRODER: Yes. I am eating numbers. And I prefer packaged foods, foods with a bar code, because they make the math simpler and that gives me a sense of peace. Maybe not peace exactly, but an illusion of control—a stillness in my mind—which lends itself to feeling safe. 
BLVR: But you’re eating a lot of processed foods that give an illusion of health (Subway, Lean Cuisine, protein bars, Starbucks, Coke Zero). You’re not on some raw organic shit; rather, it’s more about just getting stuff in your body and moving forward while controlling the calories. Health seems secondary. I just thought of this line I really love, from your new book of poems, SCARECRONE: “Dinner is cardboard.”
MB: Right, I didn’t say health. I would not call myself a healthy eater. I am a vanity eater, a machinelike-eater, a suppresser-of-feels-eater. I save the bulk of my calories for the end of the day so that I have something sweet and seemingly unlimited to look forward to. I am an eater who doesn’t trust herself, a bad mommy to myself, a poor steward of my body, an eater of rituals and a ritualistic eater, an eater who knows better but sees no impetus to get better because this kind of works and I like how my body looks at this weight. I am a terrible feminist probably, but a good one in some ways, maybe. I am an eater who is playing a game that mostly exists in my head but has also been curated by various social cues, including my mother (who is probably Jesus in the poem you are referring to in which the speaker is fed cardboard and Jesus is a man). I am an eater who knows that ultimately you are responsible for yourself, an eater who doesn’t want to take responsibility for herself other than to feel safe, a very superficial woman of depth, a disordered eater, and an eater who is scared to be so honest here.
Read More
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papermagazine:

5 Indie Poetry Books That Even Non-Lit People Will Love.
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